The lenses used in this case were 1.2 and the projection distance of 38 meters. The other two side projectors were placed in the markets of the first amphitheater, where the images had the objective of creating the immersive sensation.
The central projector was located in the middle of the auditorium, specifically in the cabin enabled for it, with an optical lens 2.0 and a projection distance of 41 meters. "The truth is that the little noise they generate exceeded the test of a public as demanding as that of the opera," says Fausto Morales.
MILLUMIN MULTI MASK SERIES
That's why Slidemedia opted for the Christie HS Series phosphor laser models, which have a noise level of only 39 db. Between the sides and the front, an area of approximately 70 by 12 meters was covered.Ī sine qua non condition was that the projectors should emit zero noise, since in this type of events the silence must be absolute.
MILLUMIN MULTI MASK PLUS
The projection in blending covered the entire back wall of the auditorium (after the orchestra and the choir) plus part of the walls and side boxes, which the Slidemedia team had to mask to avoid dazzling the spectators. "This is how they proposed us to develop a projection that would accompany the approximately 90 minutes of the work," he adds. "The OBC and the Auditori de Barcelona, home of the symphony orchestra of the city, wanted to give a new dimension to the interpretation of Verdi's Requiem that transcended the simple fact of the concert, taking advantage of new technologies, but being at the same time with respect to the primacy of music and the subsidiarity of the screening ", explains Fausto Morales Gil, artistic director of Slidemedia. Gundula Kreuzer states: "Many saw a clear discrepancy between the religious text (with all its musical implications) and Verdi's scenography." For the new staging of Verdi's opera at the Auditori in Barcelona, the Barcelona Symphony Orchestra (OBC) commissioned the Slidemania company to create a new visual imagery that would involve the audience in the emotional context of the piece. I've tried programming this in timeline and dashboard and can't seem to get a good smooth playback.The first representation of Verdi's Requiem was harshly criticized in his day for considering that he had sinned from an excessively operatic style - both musical and in the chosen ecclesiastical decoration - for a piece of religious theme. As in, pause two layers and play the other one. I've found that playback drops to 6-8fps when playing 3 layers together and key framing speed. I'll probably be removing most once we're set. I have a lot of media in the library as we're creating the show. Next layers (approx 4) playing back 3200x1200 videos rendered ProRes4444 with alpha or ProRes422 without The layers have masks on to cover appropriate sections of this spikey canvas screen. Top layer black PNG masked to fit the edges of this spiked screen I've got. Layer stack is something like this always:
MILLUMIN MULTI MASK MAC
Weirdly the Lightware switch I'm going through is setup with a 50Hz EDID but mac won't let me choose anything but 60Hz and the projectors are getting 59.59Hz. I've got two 4:3 projectors hooked up, canvas is 3200 x 1200. I'm having a little trouble with videos not playing back well on this high powered machine I've hired!
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